It's hot now in Bangkok my feet they are sore and swiftly does open the hostel's front door. I've been to a masseuse who worked out some kinks and washed all the laundry that gave a foul stink. This evening maybe it's off to the bars on one of those quick-turning trike tuktuk cars to find me a haven to drink and to dance in a fancy shirt and a pair of long pants. It has been a while since I wrote her like this or bent to the lips of a girl's waiting kiss but that is all right I've time yet to spend and much love and thankfulness yet left to lend.
© americanifesto / 場黑麥
25 March 2016
18 March 2016
other such toys
Outside is a rabble of instrument boys all banging on cymbals and other such toys. They're making a ruckus but that suits me fine for this just enriches my remaining time here in fairest Bali my home now two years where I have both tested and succumbed to fears. With chakras aligning though I aim to change and leave for a castle this wander-man's range and take up my calling with pride in my heart content in the notion that I can restart the path of the wise man the path of the true whilst keeping within me a core made of Wu. The last night is over the other begins the wounds they are healing on foot hand and shins the women are lovely the future looks bright – peace with you dear reader and thanks for your sight.
© americanifesto / 場黑麥
© americanifesto / 場黑麥
17 March 2016
brightness and usher
Straight back to the darkness was where he just went – his lack of frustration and passion to vent. He wallowed there limply and without due strength for more than a full precious hour-long length. At least he did something a few minutes' labor before he retreated from goddesses' favor but now he knows more about where the ego has sunk in its talons without letting go. With surfing and yoga and meditation he will soon continue what he has begun and usher in brightness and usher in light and rejoin the life-long and unending fight against the dark urges the wages of sin – aho! do not give up it's time to begin.
© americanifesto / 場黑麥
© americanifesto / 場黑麥
11 March 2016
or jungle beyond
(dream-state writing March 2016)
I spend Balinese New Year's Day, or Nyepi, house-sitting my friend's villa in Umalas, north Kuta. During the day of silence I do yoga, meditate, play video games, contemplate my place in the universe, and star-gaze. The next morning, after having scaled the wall into his own compound, he wakes me up by banging on the downstairs room's door, whereupon I stumble out of bed mumbling apologies in Indonesian. Mightily groggy and feeling a strong tug to keep dreaming, I decline his invitation to have a morning surf, pack my few belongings, and head back to Canggu Permai. As the morning is hot, I turn on the air-conditioning, wait for the room to cool down a bit, then crawl under my light blanket, tossing and turning a few times before I fall back asleep. My ensuing dreams are recorded here, to the best of memory.
A convoy of vehicles and pedestrians is making its way along an elevated roadway that runs through both unkempt plots and well-maintained rice paddies. I am pushing a bicycle piled high with goods of some sort, but realize that I forgot my flip-flops on the road behind me, let my bicycle drive itself, and sprint-hover (a form of locomotion I often experience in my dreams, a type of bouncing that allows me to cover large distances quickly) back along the left-hand side of the road. My feet do not sting or hurt as I hurry along although the road is made of pitted and crumbling paving stones. As I am passing a number of shiny cars (whose drivers are staring straight ahead and not making eye-contact with me), a part of my conscious mind wonders why the convoy is still moving even though I had just abandoned my bike. As soon as I slip into my thongs, the dream changes. I have a vague memory of bartering for a coconut, which I drink, leaving the spoon that came with it on the edge of the now-deserted causeway, whereupon I remember a few elements of bartering for the coconut from a woman standing amidst heaps of rubble and broken houses by the side of the cobble-stone road. Still carrying the coconut, I reach a break in the elevated roadway, which has for some time been running alongside deep, stone pits filled with crystal-clear water. Leaning over the barrier installed above the break, I look down to find a pagoda (wooden pillars, roof of fired red tiles with adorned ridges) floating in the water, which is blocking mounds of water-borne trash from entering a lake on my right. Ahead of the break is no elevated roadway insight, only an open field of dry earth with a darkened wood, or jungle, beyond. I hurl my coconut down onto a slab of broken concrete, but instead of breaking it bounces out of sight. Moving carefully through the rubble, I make my way down the right side of the elevated roadway and step onto the pagoda, which tilts and begins to sink under my weight, whereupon some loose bits of plastic and other trash wash over my feet. I look down into the clear water and see great seams in the sunken rocks, as if it had been built by man. As I step off of the pagoda onto dry land, the dream changes again.
Next, I'm in a courtyard paved with gray stones. It has buildings on three sides of it and a wrought-iron, sliding gateway to my right. I'm facing a row of planting boxes in which are growing bushes and small trees. In front of me is a basin filled with water. In my hand is a piece of an engine which I am taking apart with a knife. I am using a short-bladed knife to cut away at the piece, which suddenly resembles a carburetor made entirely of rubber, and when I have sliced it in two, a reptile pokes its head of out the piece in my left hand. Standing up, I dump the piece in the basin of water, which I can see is about 2 meters deep, nearly 1 meter square, and lined with white, porcelain tiles. Bending over to look into the basin I see a large frog (possibly female) whose limbs are strong and human-shaped, dressed in a brightly-colored kimono decorated with the image of an Asiatic woman holding a parasol. The frog is also wearing a traditional Chinese scholar's hat, complete with red tassel; it turns to look at me, then kicks its legs and swims deeper into the basin, allowing me a full glimpse of the colorful image imprinted on the kimono. There are 5 or 6 other frogs in the basin as well as some swirling debris. The frogs are all past the tadpole stage but their rear legs are of different sizes. All have long flaps of skin that connect front to hind legs, in the manner of butterfly wings. I reach into the basin and pull out a bit of debris, a length of furry vegetation that I throw into the yard behind me. Excited at the sight of the kimono, I exit the yard through the gate and call to my neighbor, a blond woman, to come see, but she for some reason cannot get past the gate – her long dress keeps getting stuck on a hook of some sorts on the other side of the gate. The dream changes.
The next thing I remember is sitting in the lobby of what looks like a hospital. There's a counter to my left, a door behind me, a door to my left, a door in front of me, and another, larger door to my right. Through the large door on the right I can see sunlight as well as people and cars coming and going. Across from me are two rows of chairs with three seats each set up so they are facing each other. Five or six people are sitting there, but I can only make out a man sitting cross-legged on a seat closest to me, on the right-hand row. I'm on the phone with some sort of customer service representative, a woman, who asks for my new phone number, whereupon I start trying to find it while yelling into the phone's mouthpiece for her to be patient. At that point, the cross-legged man starts yelling louder and louder until I become annoyed enough to hang up my phone and confront him. I am not aware of walking across to him, only that I'm suddenly standing over him. The five other people seated there with him are only dimly visible. He looks away from me, down to the right, and I realize that he's yelling pure gibberish, non-sense sounds, whilst flapping his jaw in an exaggerated fashion that mimics talking. Taken aback at his offensive behavior, I lean away, whereupon he looks back up at me. His torso and legs are blurry but I can see his face and arms more clearly. He has reddish hair with a somewhat bloated and freckled face that looks a bit like my own, and his right arm is tattooed almost entirely with elaborate tribal designs, though his left arm has but few tattoos. At that point, I wake up, feeling refreshed.
© americanifesto / 場黑麥
I spend Balinese New Year's Day, or Nyepi, house-sitting my friend's villa in Umalas, north Kuta. During the day of silence I do yoga, meditate, play video games, contemplate my place in the universe, and star-gaze. The next morning, after having scaled the wall into his own compound, he wakes me up by banging on the downstairs room's door, whereupon I stumble out of bed mumbling apologies in Indonesian. Mightily groggy and feeling a strong tug to keep dreaming, I decline his invitation to have a morning surf, pack my few belongings, and head back to Canggu Permai. As the morning is hot, I turn on the air-conditioning, wait for the room to cool down a bit, then crawl under my light blanket, tossing and turning a few times before I fall back asleep. My ensuing dreams are recorded here, to the best of memory.
A convoy of vehicles and pedestrians is making its way along an elevated roadway that runs through both unkempt plots and well-maintained rice paddies. I am pushing a bicycle piled high with goods of some sort, but realize that I forgot my flip-flops on the road behind me, let my bicycle drive itself, and sprint-hover (a form of locomotion I often experience in my dreams, a type of bouncing that allows me to cover large distances quickly) back along the left-hand side of the road. My feet do not sting or hurt as I hurry along although the road is made of pitted and crumbling paving stones. As I am passing a number of shiny cars (whose drivers are staring straight ahead and not making eye-contact with me), a part of my conscious mind wonders why the convoy is still moving even though I had just abandoned my bike. As soon as I slip into my thongs, the dream changes. I have a vague memory of bartering for a coconut, which I drink, leaving the spoon that came with it on the edge of the now-deserted causeway, whereupon I remember a few elements of bartering for the coconut from a woman standing amidst heaps of rubble and broken houses by the side of the cobble-stone road. Still carrying the coconut, I reach a break in the elevated roadway, which has for some time been running alongside deep, stone pits filled with crystal-clear water. Leaning over the barrier installed above the break, I look down to find a pagoda (wooden pillars, roof of fired red tiles with adorned ridges) floating in the water, which is blocking mounds of water-borne trash from entering a lake on my right. Ahead of the break is no elevated roadway insight, only an open field of dry earth with a darkened wood, or jungle, beyond. I hurl my coconut down onto a slab of broken concrete, but instead of breaking it bounces out of sight. Moving carefully through the rubble, I make my way down the right side of the elevated roadway and step onto the pagoda, which tilts and begins to sink under my weight, whereupon some loose bits of plastic and other trash wash over my feet. I look down into the clear water and see great seams in the sunken rocks, as if it had been built by man. As I step off of the pagoda onto dry land, the dream changes again.
Next, I'm in a courtyard paved with gray stones. It has buildings on three sides of it and a wrought-iron, sliding gateway to my right. I'm facing a row of planting boxes in which are growing bushes and small trees. In front of me is a basin filled with water. In my hand is a piece of an engine which I am taking apart with a knife. I am using a short-bladed knife to cut away at the piece, which suddenly resembles a carburetor made entirely of rubber, and when I have sliced it in two, a reptile pokes its head of out the piece in my left hand. Standing up, I dump the piece in the basin of water, which I can see is about 2 meters deep, nearly 1 meter square, and lined with white, porcelain tiles. Bending over to look into the basin I see a large frog (possibly female) whose limbs are strong and human-shaped, dressed in a brightly-colored kimono decorated with the image of an Asiatic woman holding a parasol. The frog is also wearing a traditional Chinese scholar's hat, complete with red tassel; it turns to look at me, then kicks its legs and swims deeper into the basin, allowing me a full glimpse of the colorful image imprinted on the kimono. There are 5 or 6 other frogs in the basin as well as some swirling debris. The frogs are all past the tadpole stage but their rear legs are of different sizes. All have long flaps of skin that connect front to hind legs, in the manner of butterfly wings. I reach into the basin and pull out a bit of debris, a length of furry vegetation that I throw into the yard behind me. Excited at the sight of the kimono, I exit the yard through the gate and call to my neighbor, a blond woman, to come see, but she for some reason cannot get past the gate – her long dress keeps getting stuck on a hook of some sorts on the other side of the gate. The dream changes.
The next thing I remember is sitting in the lobby of what looks like a hospital. There's a counter to my left, a door behind me, a door to my left, a door in front of me, and another, larger door to my right. Through the large door on the right I can see sunlight as well as people and cars coming and going. Across from me are two rows of chairs with three seats each set up so they are facing each other. Five or six people are sitting there, but I can only make out a man sitting cross-legged on a seat closest to me, on the right-hand row. I'm on the phone with some sort of customer service representative, a woman, who asks for my new phone number, whereupon I start trying to find it while yelling into the phone's mouthpiece for her to be patient. At that point, the cross-legged man starts yelling louder and louder until I become annoyed enough to hang up my phone and confront him. I am not aware of walking across to him, only that I'm suddenly standing over him. The five other people seated there with him are only dimly visible. He looks away from me, down to the right, and I realize that he's yelling pure gibberish, non-sense sounds, whilst flapping his jaw in an exaggerated fashion that mimics talking. Taken aback at his offensive behavior, I lean away, whereupon he looks back up at me. His torso and legs are blurry but I can see his face and arms more clearly. He has reddish hair with a somewhat bloated and freckled face that looks a bit like my own, and his right arm is tattooed almost entirely with elaborate tribal designs, though his left arm has but few tattoos. At that point, I wake up, feeling refreshed.
© americanifesto / 場黑麥
08 March 2016
fury and power
By making a pattern a plan for what's next I aim to be focused and far less perplexed. It starts with outlining the things that I know and making a blueprint for where I'm to go and making a schedule to keep me on mission away from the patterns that lead to remission. My object's attainable as are my few goals and when I look on them do feel I'll know how best to proceed and what I must avoid and how to stay wary lest I be destroyed. The goddess is with me – I hope so at least – as I make a new plan to conquer the beasts that still live inside me that hurt flense and wound and into their absence let Happiness bloom. Wish me luck dear readers this task will be tough as I set about to let go of such stuff that I've kept within me these woebegone years as I turn to witness my sadness and fears as I set aside all the shackles of hate and watch as their fury and power abates.
© americanifesto / 場黑麥
© americanifesto / 場黑麥
18 February 2016
behind the central
My alarm in the waking world sounds at 7 a.m., but a part of me really wants to go back to sleep. I can sense a chasm of promise awaiting me back in Morpheus's grasp, a pit of pregnant nothingness that must be explored. After getting up to shut off the alarm I go back to bed, roll over onto my side, and slip immediately into dreaming. Twice more I wake up, each time the pull of the chasm, the nothingness, less strong but still present. When I finally awake feeling rested, memories of my dreams linger. They are recorded here.
I'm on a bus that has no roof driving through a brightly sunny landscape, sitting toward the rear, just behind the central doors. It's unclear to me where we're going but I recognize features outside and feel the journey has purpose. A few other persons (4, excluding the driver) are on the bus, also, all toward the front, all with their backs turned toward me, although I can tell they are aware of my presence. The bus slows to a halt in the middle of some featureless scrub and 2 more persons clamber aboard. They sit next to and slightly behind me. I turn to look at them. They are talking to each other and both are in military uniforms of sort. Neither of their uniforms bear insignia. Further from me is a woman with curly blond hair and an attractive but acne-scarred face wearing a light blue shirt, dark blue long pants, and a black belt. Closer to me is man in what could be Marine Corps blues. He has closely-cropped dark hair and his seemingly crippled hands are raised in front of his chest, fingers curled and spread wide. His eye-sockets are scarred and sunken pits devoid of eyeballs. He asks me what branch of the service I'm in, and I tell him something akin to 'I've never served.' The two talk to each other for a while and when I look back, the woman is sitting a row further back, low in the seat with her crotch thrust forward. I imagine briefly if I have a chance to make sex to her but the notion evaporates immediately.
The bus accelerates. We're driving down a snow-covered dirt track through a wintry scrub landscape at high speed and I remark at the driver's skill in negotiating the narrow and hilly path. I can see fresh tire-marks in the snows that cover the road. We pass a road-marker for the 'York Historical Society,' a bronze plaque atop an iron post that features a picture of an old barn or covered bridge. I'm speaking with the service-members about where I come from, explaining to them that I was in a sad place for a long time, much like the town the bus is driving into. The road is lined with boarded-up houses, burned-out cars, and weedy lawns. Because of an obstruction up ahead, the bus driver stops, reveres, and is doing a 3-point-turn when he runs us into one of the houses, cracking its barn-like sliding door. At that point I awake, refreshed.
© americanifesto / 場黑麥
I'm on a bus that has no roof driving through a brightly sunny landscape, sitting toward the rear, just behind the central doors. It's unclear to me where we're going but I recognize features outside and feel the journey has purpose. A few other persons (4, excluding the driver) are on the bus, also, all toward the front, all with their backs turned toward me, although I can tell they are aware of my presence. The bus slows to a halt in the middle of some featureless scrub and 2 more persons clamber aboard. They sit next to and slightly behind me. I turn to look at them. They are talking to each other and both are in military uniforms of sort. Neither of their uniforms bear insignia. Further from me is a woman with curly blond hair and an attractive but acne-scarred face wearing a light blue shirt, dark blue long pants, and a black belt. Closer to me is man in what could be Marine Corps blues. He has closely-cropped dark hair and his seemingly crippled hands are raised in front of his chest, fingers curled and spread wide. His eye-sockets are scarred and sunken pits devoid of eyeballs. He asks me what branch of the service I'm in, and I tell him something akin to 'I've never served.' The two talk to each other for a while and when I look back, the woman is sitting a row further back, low in the seat with her crotch thrust forward. I imagine briefly if I have a chance to make sex to her but the notion evaporates immediately.
The bus accelerates. We're driving down a snow-covered dirt track through a wintry scrub landscape at high speed and I remark at the driver's skill in negotiating the narrow and hilly path. I can see fresh tire-marks in the snows that cover the road. We pass a road-marker for the 'York Historical Society,' a bronze plaque atop an iron post that features a picture of an old barn or covered bridge. I'm speaking with the service-members about where I come from, explaining to them that I was in a sad place for a long time, much like the town the bus is driving into. The road is lined with boarded-up houses, burned-out cars, and weedy lawns. Because of an obstruction up ahead, the bus driver stops, reveres, and is doing a 3-point-turn when he runs us into one of the houses, cracking its barn-like sliding door. At that point I awake, refreshed.
© americanifesto / 場黑麥
17 February 2016
dream writing February 2016
I'm on a bus with perhaps a dozen people I seem to know. We're traveling through a tropical countryside; and outside are dense green bushes; and I'm familiar with the inside of the bus, its seat-backs and the bend of its window-frames, as though I'd been on it for a while. For some reason I exit the bus (although I don't remember actually doing so) and am walking down a roadway made of crushed white stone in the bright sun when I suddenly I realize want to get back on the bus again. I walk to the end of the roadway and see it driving down an asphalt road, away from me, but know I cannot reach it by running toward it. I turn and run-leap (a type of movement similar to that used by people moving about the lunar surface) down the white roadway, stopping at an intersection to check for the bus. I'm in a densely built-up neighborhood and cannot see the asphalt road, wherefore I enter a nearby hotel via a narrow, poured-concrete ramp. To each side of the ramp are flowers growing, and one side has a pond with fish in it.
Once inside, I approach the reception desk and speak to the person working there. She has dark hair and is wearing a uniform of sorts with a name-badge. She looks Balinese and doesn't quiet understand what I want. My cellphone doesn't have signal, so I can't use my translation application, and wonder if I can get On-Line somewhere. I turn to try to talk to another worker, a man, who however walks into a nearby, darkened room. The room has a block of cubicles in it with more activity – people walking around – behind the cubicles. To one side is what looks like an ATM, which I try to enter, but after going inside it turns out that the ATM has been removed, and as I'm walking out I hit my head on a sign announcing the machine's removal, which although it hangs very low I somehow missed on the way in. On the other side of the block of cubicles, which are partially filled by people sitting there with their heads down, I see a conference or school room with rows of computers on them, some of which have people sitting at them. I try to go into this room with the intention of getting on the Internet and telling the people in the bus where I am but every time I try to go in the darkened room's layout changes, and the people in the conference room start getting up and walking past me, somewhat upset at my attempts to enter. Soon thereafter, the dream ends and I wake up.
© americanifesto / 場黑麥
Once inside, I approach the reception desk and speak to the person working there. She has dark hair and is wearing a uniform of sorts with a name-badge. She looks Balinese and doesn't quiet understand what I want. My cellphone doesn't have signal, so I can't use my translation application, and wonder if I can get On-Line somewhere. I turn to try to talk to another worker, a man, who however walks into a nearby, darkened room. The room has a block of cubicles in it with more activity – people walking around – behind the cubicles. To one side is what looks like an ATM, which I try to enter, but after going inside it turns out that the ATM has been removed, and as I'm walking out I hit my head on a sign announcing the machine's removal, which although it hangs very low I somehow missed on the way in. On the other side of the block of cubicles, which are partially filled by people sitting there with their heads down, I see a conference or school room with rows of computers on them, some of which have people sitting at them. I try to go into this room with the intention of getting on the Internet and telling the people in the bus where I am but every time I try to go in the darkened room's layout changes, and the people in the conference room start getting up and walking past me, somewhat upset at my attempts to enter. Soon thereafter, the dream ends and I wake up.
© americanifesto / 場黑麥
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