Oh please grant me strength
Goddess of boundless mercy
To complete these tasks
[ americanifesto / 場黑麥 / jpr / urbanartopia / whorphan ]
Showing posts with label goddess. Show all posts
Showing posts with label goddess. Show all posts
07 February 2018
24 July 2017
eddies of inner
A hundred thousand ethnic restaurants open, not one of them selling authentic cuisine.
A million women dress, not one of them choosing clothes she herself likes. An equal number of men dress in garments that, deep down, they know make them look like fools.
A million swelling hopes flare, not one of them destined to see the next morning’s sunrise.
Ten thousand false promises are made, and broken.
A thousand and one young children cry upon being tricked by an older person.
A single soul retreats into the swirling eddies of inner solitude, prompting a long-dormant goddess to stir, awakening the owl resting beside her.
From her breastplate scowls a terrible gorgon.
americanifesto / 場黑麥 / jpr / urbanartopia / whorpha
A million women dress, not one of them choosing clothes she herself likes. An equal number of men dress in garments that, deep down, they know make them look like fools.
A million swelling hopes flare, not one of them destined to see the next morning’s sunrise.
Ten thousand false promises are made, and broken.
A thousand and one young children cry upon being tricked by an older person.
A single soul retreats into the swirling eddies of inner solitude, prompting a long-dormant goddess to stir, awakening the owl resting beside her.
From her breastplate scowls a terrible gorgon.
americanifesto / 場黑麥 / jpr / urbanartopia / whorpha
03 March 2017
dreamstate writing 3 Mar 2017
In this morning’s dream, I was walking around outside (in an overgrown lot) looking for a place to bed down for the night. There was little ambient light, the sky above me a gray blanket trimmed with the rosy promise of dawn. Rounding the side of a one-storey brick building, I started to make my way through the trees and bushes that grew beside and behind it. Treading carefully so as not to alert to my presence the people living nearby (three-storey inhabited brick structures stood beyond a chain-link fence on a rise above the first building), I made noise nonetheless, the underbrush below my feet crackling loudly. On my way to the rear of the building I passed two makeshift blinds, one a flimsy construction of bent cardboard, the other a sturdier model made from a metal framework and some type of plastic cloth. Behind each blind was a pillow and a worn-down area where someone seemed to have slept recently.
Security lights turned on, illuminating the area brilliantly, and I became aware of what looked like many cameras watching, unblinking eyes that tracked my every move. Little red lights glowed upon them, indicating that they were recording. I attempted to lay down in an effort to avoid their gaze, but a thin beam of piercing white light shot through the chain-link fence, thwarting my efforts to escape it.
Time passed, for the sky had lightened considerably. I was standing in front of the one-storey brick building speaking to its apparent proprietress. She had dark hair, an attractive face, and the type of exaggeratedly-proportioned body normally found on girls' fashion dolls. Apparently, this woman realized I found her attractive, for she turned to one side to show me her large breasts and slender waist. Then, a different woman - this one with blond hair tucked into a tattered baseball cap and wearing a bulky coat - walked out from behind my field of vision to enter the brick building, a basket of what looked like soiled clothing in her arms. I then examined the structure in front of me more closely, leaning over to look past the dark-haired gal, and discovered it was a laundry-mat of sorts. The last thing I remember before waking up was that all of its washers appeared to be running, full steam.
Huzzah, mahalo, and om swastiastu.
americanifesto / JPR / whorphan / 場黑麥
Security lights turned on, illuminating the area brilliantly, and I became aware of what looked like many cameras watching, unblinking eyes that tracked my every move. Little red lights glowed upon them, indicating that they were recording. I attempted to lay down in an effort to avoid their gaze, but a thin beam of piercing white light shot through the chain-link fence, thwarting my efforts to escape it.
Time passed, for the sky had lightened considerably. I was standing in front of the one-storey brick building speaking to its apparent proprietress. She had dark hair, an attractive face, and the type of exaggeratedly-proportioned body normally found on girls' fashion dolls. Apparently, this woman realized I found her attractive, for she turned to one side to show me her large breasts and slender waist. Then, a different woman - this one with blond hair tucked into a tattered baseball cap and wearing a bulky coat - walked out from behind my field of vision to enter the brick building, a basket of what looked like soiled clothing in her arms. I then examined the structure in front of me more closely, leaning over to look past the dark-haired gal, and discovered it was a laundry-mat of sorts. The last thing I remember before waking up was that all of its washers appeared to be running, full steam.
Huzzah, mahalo, and om swastiastu.
americanifesto / JPR / whorphan / 場黑麥
11 November 2016
on logic - update
For the past couple of weeks I have been exploring and tasting and trying to better understand the stories I tell myself, the logic-parameters within which I go about my daily business. Many of these logic parameters I set up around the age of five years old, in the wake of a sexual assault visited upon me by a shady, rapist neighbor. I was groped and abused then told to never tell anyone, on pain of death. Around the same time (because he apparently didn’t know, or bother to try and find out, how else to deal with the changes in my behavior) my father became psychologically abusive toward me. I was doing poorly in school; I had become overly sensitive to external stimuli (especially deep-voiced men); I was having trouble concentrating in general; and it seems that he thought that by being mean and spiteful toward me he could snap me out of it and somehow fix me. Now, almost 35 years later, I am still trying to fit the pieces of my psyche back together in the aftermath of the Big Shatter - being fed the Fruit of Forbidden Knowledge at too young an age. I gained from these traumatic childhood experiences a number of things, among them a strong empathy toward and desire to protect individuals downtrodden and weak; a nearly photographic memory of conversations and situations; a passionate dislike for and lack of fear of authority figures; the ability to make small children smile, and feel safe; the ability to detect - with a glance - sexual perversion in adult males; the ability to see beyond what the eye can usually see (such as where energies within the body are not flowing smoothly) that borders on the power to read minds. These abilities are of course counter-balanced by appropriate and equal disabilities, most of them existing in the form of the logical parameters I use to interact with the world - especially with women whom I find attractive. I have given myself until the rising of the next full moon on 14 November 2016 to explore and taste of these logical parameters so that I may start to heal myself more fully, and would like to profess my utter thanks and profound gratitude to the Lunar Goddesses of the Many Faiths who have watched over and sheltered me along this path. Mahalo, and om swastiastu.
© JPR / whorphan / americanifesto / 場黑麥
© JPR / whorphan / americanifesto / 場黑麥
15 February 2013
19 December 2012
on graffitos' patroness
For all of their differences in style of clothing, method of address, performance under fire, gait while walking, and ability to tolerate bullshit, street artists share one thing in common: a life-long love for the dandelion (and for kicking off their white, fluffy, puff-ball-like heads). As an individual who spends his time altering the appearance of things that everyone else seems to be ignoring, the graffiti-writer will – should the opportunity present itself – run wildly into a field of dandelions just to decapitate as many of them as he can, as quickly as possible. The dandelion requires just this sort of action to deliver her seeds to the Shifting Winds of Fortune; she gains of the graffito's destructive tendencies; thus, she is his goddess, his flower-patroness.
場黑麥 mentiri factorem fecit
Beyond the symbiotic interdependency of dandelion with graffito, the two also share other traits, albeit ones perhaps less obvious to the casual observer. Both are loathed by the population in general, the flower for its tendency to grow nearly anywhere regardless of efforts to keep it out, the artist for his tendency to access most any imaginable surface – regardless of perimeter fencing, guard, closed-circuit television camera, or watchdog. Both are loved by a small but growing group that keeps its opinions to itself and enjoys beauty wherever beauty should arise. Dandelions grow in neglected, contaminated, and otherwise ignored places (gutters, trash heaps, empty lots) where little else can gain foothold; street art is applied to neglected, contaminated, and otherwise ignored places (alleyways, abandoned buildings, concrete highway embankments) where few people venture. Cities hire squads of individuals, outfit them with brushes and paint-buckets, and send them out to paint over great patches of well-executed works of art, thus providing the graffito with fresh canvas upon which to erect new works and encouraging him to pursue his Happiness upon surfaces always harder and as a rule more dangerous to reach. Cities treat the dandelion similarly: it is sprayed with poison, assaulted with shovels, dug under the soil, weeded, treated, and burned, all to little avail - a cheerful and resilient little blossom, it will re-appear during the next growing season in larger numbers and with deeper and more tenacious roots.
It is as hard to catch a vandal in the act of applying his craft as it is to catch a dandelion in the act of colonizing new terrain. Both street art and dandelions improve the human condition freely and without ado, bringing beauty to the world without seeking thanks or a by-your-leave. Street art covers and enlivens surfaces that just a day before had been blank concrete walls, and dandelions appear just as suddenly, shining yellow faces enlivening lawns that just a day before had been mono-cultured swaths of grass devoid of Nature's abundance. We, the Self Directed Urban Beautification Specialists (SDUBS) of America, ask the inhabitants of Terra to search for beauty in all places, to pursue Happiness with us by blanketing the urban and the natural environments with bright and vibrant colors, to rejoice in the sudden appearance of beauty in places forgotten and forlorn, and to remember to honor our common goddess, the dandelion, by kicking as many of her puff-balls as we possible can. Stay on your toes out there, dear friend, and may you be filled always with divine breath.
It is as hard to catch a vandal in the act of applying his craft as it is to catch a dandelion in the act of colonizing new terrain. Both street art and dandelions improve the human condition freely and without ado, bringing beauty to the world without seeking thanks or a by-your-leave. Street art covers and enlivens surfaces that just a day before had been blank concrete walls, and dandelions appear just as suddenly, shining yellow faces enlivening lawns that just a day before had been mono-cultured swaths of grass devoid of Nature's abundance. We, the Self Directed Urban Beautification Specialists (SDUBS) of America, ask the inhabitants of Terra to search for beauty in all places, to pursue Happiness with us by blanketing the urban and the natural environments with bright and vibrant colors, to rejoice in the sudden appearance of beauty in places forgotten and forlorn, and to remember to honor our common goddess, the dandelion, by kicking as many of her puff-balls as we possible can. Stay on your toes out there, dear friend, and may you be filled always with divine breath.
場黑麥 mentiri factorem fecit
02 May 2012
on street art's blooming goddess
For all of their differences in style, method, appearance, gait, and habit, street artists share one thing in common: A life-long love for dandelions (or, more specifically, for kicking off their white, fluffy, puff-ball-like heads). As individuals who spend their time defacing and destroying things that everyone else seems to be ignoring, graffiti-writers will – should the opportunity present itself – run wildly into a field of dandelions solely to decapitate as many of them as they can in as short an amount of time as possible. The dandelion requires just this sort of action to spread her seeds upon the Shifting Winds of Fortune, and because she gains benefit of the graffito's destructive tendencies, she is his goddess, his flower-patroness.
Beyond the symbiotic interdependency of dandelion with street artist, the two also share other traits, albeit ones perhaps less obvious to the casual observer. Both are loathed by the population in general, the flower for its tendency to grow nearly anywhere regardless of efforts to keep it out, the art for its tendency to appear on most any imaginable surface regardless of perimeter fencing, guards, closed-circuit television cameras, or watchdogs. Both are loved by a shrinking, silent minority that keeps its opinions to itself in an effort to enjoy beauty wherever beauty should arise. Dandelions grow in neglected, contaminated, and otherwise ignored places (gutters, trash heaps, empty lots) where little else can gain foothold; street art appears in neglected, contaminated, and otherwise ignored places (alleyways, abandoned buildings, concrete highway embankments) where few persons would normally venture. Cities hire squads of individuals, outfitting them with brushes and buckets and sending them out to paint over great patches of well-executed works of art, thus providing the graffito with fresh canvas upon which to erect his new works, and encouraging him to pursue his Happiness in places hard or dangerous to reach; similarly, the dandelion – which is sprayed with poison, dug out of the soil, dug into the soil, weeded, treated, and burned, all to little avail – itself being a cheerful little blossom, is more than likely to re-appear during the next growing season in greater numbers than before and with deeper and more tenacious roots. It is just as hard to catch a vandal in the act of applying his craft as it is to catch a dandelion in the act of colonizing new terrain, whereas street art and dandelions improve the human condition freely and without ado, laying beauty at mankind's feet without seeking thanks or asking so much as a by-your-leave. And, perhaps finally, street art appears as if by magic, covering and enlivening large surfaces that just the day before had been blank, imposing concrete walls; and dandelions appear if by magic, their shining yellow faces covering and enlivening lawns that just the day before had been mono-cultured, sterile swaths of grass denuded of any traces of natural abundance.
We, the SDUBS* of America, would like to remind the inhabitants of this land to search for beauty in places it is rarely thought to inhabit, to pioneer ways to improve the urban and the natural environments (especially by blanketing each with bright and vibrant colors), to rejoice in the sudden – almost magical – appearance of beauty in places forgotten and forlorn, and to remember to honor Goddess Dandelion by kicking as many of her puffy balls as you possible can. Stay on your toes out there, dear friends, and may you be filled, always, with divine breath.
場黑麥 mentiri factorem fecit
(* self-directed urban beautification specialists)
Beyond the symbiotic interdependency of dandelion with street artist, the two also share other traits, albeit ones perhaps less obvious to the casual observer. Both are loathed by the population in general, the flower for its tendency to grow nearly anywhere regardless of efforts to keep it out, the art for its tendency to appear on most any imaginable surface regardless of perimeter fencing, guards, closed-circuit television cameras, or watchdogs. Both are loved by a shrinking, silent minority that keeps its opinions to itself in an effort to enjoy beauty wherever beauty should arise. Dandelions grow in neglected, contaminated, and otherwise ignored places (gutters, trash heaps, empty lots) where little else can gain foothold; street art appears in neglected, contaminated, and otherwise ignored places (alleyways, abandoned buildings, concrete highway embankments) where few persons would normally venture. Cities hire squads of individuals, outfitting them with brushes and buckets and sending them out to paint over great patches of well-executed works of art, thus providing the graffito with fresh canvas upon which to erect his new works, and encouraging him to pursue his Happiness in places hard or dangerous to reach; similarly, the dandelion – which is sprayed with poison, dug out of the soil, dug into the soil, weeded, treated, and burned, all to little avail – itself being a cheerful little blossom, is more than likely to re-appear during the next growing season in greater numbers than before and with deeper and more tenacious roots. It is just as hard to catch a vandal in the act of applying his craft as it is to catch a dandelion in the act of colonizing new terrain, whereas street art and dandelions improve the human condition freely and without ado, laying beauty at mankind's feet without seeking thanks or asking so much as a by-your-leave. And, perhaps finally, street art appears as if by magic, covering and enlivening large surfaces that just the day before had been blank, imposing concrete walls; and dandelions appear if by magic, their shining yellow faces covering and enlivening lawns that just the day before had been mono-cultured, sterile swaths of grass denuded of any traces of natural abundance.
We, the SDUBS* of America, would like to remind the inhabitants of this land to search for beauty in places it is rarely thought to inhabit, to pioneer ways to improve the urban and the natural environments (especially by blanketing each with bright and vibrant colors), to rejoice in the sudden – almost magical – appearance of beauty in places forgotten and forlorn, and to remember to honor Goddess Dandelion by kicking as many of her puffy balls as you possible can. Stay on your toes out there, dear friends, and may you be filled, always, with divine breath.
場黑麥 mentiri factorem fecit
(* self-directed urban beautification specialists)
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