success through failure

Francis Bacon said, “By indignities man comes to dignities.” Stated a different way, it could read thus: man succeeds through failure. Ancient teachings, especially those that originated in Asia, are rife with this enduring truthhood.

From one perspective, the yin-yang symbol exemplifies the notion that in all light is some darkness; that fear is rooted of joy; that the elixir of happiness is best distilled from wells of sadness. Therefore, experiencing loss is as beneficial as the gain that comes after it; without such loss, one struggles to see a clear path forward.

Perhaps one reason why Americans are turning away from their Western, Christian heritage and toward Eastern modes of living is that the former tend to promote the notion of an invisible afterlife free of suffering instead of setting forth teachings and tools useful in the immediate engagement of pain and loss while still alive. Without a temporal body, what loss could we possibly endure? To what dignities would we dare strive without a physical vessel to contain them in? Deep thoughts this Monday morning fill. Aho.

americanifesto / JPR / whorphan / 場黑

land of Thai

Now I've reached the land of Thai, ask myself – You came here why? – walking down an endless street, wondering just who I'll meet. Pingpong shows and midget strippers, I just got a pair of slippers, so my feet won't roast alive when temperatures reach 35. Women grab me, I say – No, drop my arm and let me go – muscles strain and tug and flex, I refuse to pay for sex. Ladyboys and topless dancers, I call out but no one answers, heart and mind they flee from me, racing back to fair Bali. Now I trod this sweltered turf, wishing I were in some surf, paddling to clear the crests, giving it my very best. Here is madness, here is pain, massive struggle, little gain, I must simply keep in mind, the one that I left behind, hope that she'll embrace me yet, godheads laughed the day we met. Now to have my muscles pounded, so that I'll be calm and grounded, when it's time to test my stock, which is always in Bangkok.

© americanifesto / 場黑麥

on phaltweariness - the automobile

  Today's city streets are pitted and rough as if mauled by large and powerful beasts, and the souls of the people who drive upon are similarly abused. Aggression and impatience descend without fail upon the poor buggers who drive upon today's maligned avenues.

  We the Smog Riders of the America Phaltscape (the asphalt landscape) look often with pity upon our neighbors of the road, they who spend long hours strapped tightly to chairs which are in turn bolted to the floors of a tiny metal boxes. After spending years in such torturous environments, they will have forgotten the satisfaction of moving their own bodies through space/time using nothing other than living muscle and some metal tubes bolted to a pair of pneumatic tires. Rather than the good sweat that stands upon the skin of the bicyclist after a healthy cross-town slog, the sweat of the car driver will be distressed and foul, an oozing sheen that tends to creep through his furrowed brow as he worries about the skyrocketing price of petroleum.

  The smog riding street-art vagabond knows as well to avoid paying for petrol as she does to remain always vigilant of the withering and debilitating affects of phaltweariness – it is her duty to preserve the chaotic super-abundance of Street Art, and to record for Posterity as much of it as she can. To fulfill this task, and to keep her feet on the pedals, she has learned the limits of her body's tolerance for dehydration, pain, and exhaustion, and she knows how to make herself well again.

  Given the phaltweariness, the stressed out drivers, and the miles spend cycling through the phaltscape, how does the vagabond capture every unique work of street art that is at risk of being torn down as soon as it goes up? She does not. But she does what she can do, photographing what pictures might cross her path with the road grit foulding her mouth and a song filling her heart.

  Spes Mea In Ratio Est - 場黑麥 John Paul Roggenkamp